Becoming Jane (2007) Film Review
I fell in love with the movie ‘Becoming Jane’ within the first few minutes of watching it. Being a fan of Jane Austen’s novels and period dramas, historical biographies, and old-fashioned romances, this film was a perfect fit for me. The movie blends all these genres beautifully.
The script is witty and packed with clever references to Austen’s stories, especially ‘Pride and Prejudice.’ It also features a forbidden romance that is so captivating and romantic it might just give you butterflies. Much of that feeling comes from James McAvoy’s swoon-worthy performance as Tom Lefroy, Jane Austen’s love interest.
Based on Jon Spence’s book, ‘Becoming Jane Austen,’ the film takes some creative liberties but uses the research as a foundation to speculate on Austen’s possible romance with Tom Lefroy. The filmmakers have infused their narrative with storytelling techniques reminiscent of Austen’s own, even though we know Jane and Tom do not have a traditional happy ending.
The plot centers on young Jane Austen, portrayed by Anne Hathaway, and her secret romance with Tom Lefroy, a young Irishman. Initially, Jane dislikes Tom because she overhears him criticizing her writing. However, they soon bond over intellectual debates, both sharp in wit and spirit.
Societal pressures, however, are against them. Both need to marry into wealth; otherwise, they would be condemned to poverty. Jane’s writing career and Tom’s responsibility to his impoverished family and wealthy uncle complicate their love further.
Though it’s known that Jane Austen never married and died young, the film focuses more on her journey rather than the end. Not all love stories have a happy ending; some end because they have no other option. Despite its imperfections, the film elevates the romance to an epic level.
One of the film’s most powerful scenes is a dance sequence between Jane and Tom. The dance, music, actors’ expressions, and camerawork create a mesmerizing experience. Jane, caught in a forlorn moment, dances with Mr. Wisley, a man she does not love. The scene transforms when Tom enters, timing his dance so he partners with Jane. This moment lifts her spirits, symbolizing a rescue from her loneliness. Without a word, their feelings become evident, making the dance one of triumph and joy.
Other characters in the film, like Jane’s sister Cassandra (played by Anna Maxwell Martin) and her mother (Julie Walters), add depth to the story. Maggie Smith also delivers an entertaining performance as Lady Gresham, adding a touch of wit reminiscent of her roles in other period dramas.
Though the film leans more towards historical fiction than fact, it captures many truths about Austen’s life. James McAvoy’s performance as Tom Lefroy is on par with recognized portrayals of Austen heroes, despite potential historical inaccuracies and Anne Hathaway’s less than perfect accent. Her passion for the role, however, is undeniable and enhances the film’s believability and charm.
McAvoy and Hathaway’s chemistry is electric and vital to the film’s effectiveness. Combined with a beautifully crafted script, great direction, and stunning set design, ‘Becoming Jane’ stands out. The costumes and cinematography are also noteworthy, adding to the film’s appeal.
Overall, ‘Becoming Jane’ may not satisfy those who desire strict historical accuracy or those who prefer happy endings, but it shines as a romantic period drama. For me, it remains a favorite, a film I can enjoy repeatedly.
What are your thoughts on ‘Becoming Jane’? Let me know!
