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Les Mis\u00e9rables is a remarkable novel by Victor Hugo that explores themes of law, grace, and redemption. It’s been adapted for film multiple times, and the latest version is soon to air on PBS. Having seen the Broadway stage play, which is one of my favorite musicals, and the 1998 and 2012 film versions, I was curious to compare them to the first big-screen adaptation.<\/p>\n
In its original form, Les Mis\u00e9rables spans over 1300 pages, making it a challenge to adapt fully to film. Naturally, some elements must be excluded for the sake of time, but the core message can still be conveyed. I was pleased to see that this particular version beautifully captures the heart of the story and the essence of the characters.<\/p>\n
Summary of Les Mis\u00e9rables<\/p>\n
The story is set in 19th-century France and follows Jean Valjean, who is unjustly sentenced to prison for a minor crime. During his imprisonment, he meets the relentless Javert, who later becomes a policeman. After Valjean’s release, he encounters a kind priest whose act of mercy changes Valjean\u2019s life. Inspired by the priest, Valjean adopts a new identity and lives a virtuous life, using his financial success to help others from a distance.<\/p>\n
Valjean\u2019s life takes another turn when Fantine, a fired factory worker, dies and leaves her young daughter, Cosette. Meanwhile, Javert has been chasing Valjean over another minor infraction. Valjean takes Cosette and flees to Paris, where they hide for years.<\/p>\n
Years later, Cosette falls in love with Marius, a young man involved in a protest group monitored by Javert. This leads to a final confrontation between Valjean and Javert with an unexpected outcome.<\/p>\n
Review <\/p>\n
Fans of the novel may notice significant cuts and changes in this adaptation, especially in the final third of the film. In this version, Marius’ group is depicted as law students protesting legal injustices rather than revolutionaries. Additionally, the character of Gavroche is missing.<\/p>\n
Some viewers might find the film’s theatrical style and studio-built sets less appealing. Despite these changes and my initial concerns about the lack of musical elements, the story\u2019s focus on characters and themes felt more impactful. I even found that the absence of music allowed the characters\u2019 journeys to shine more vividly.<\/p>\n
Two Standout Performances<\/p>\n
What truly stands out in this adaptation are the performances of the two lead actors. Frederic March brings great empathy to the role of Valjean, convincingly portraying his transformation from prisoner to mayor. His subtle acting effectively conveys Valjean’s inner life.<\/p>\n
Charles Laughton’s portrayal of Javert is perhaps the best I\u2019ve seen. Laughton infuses Javert with a controlled intensity, embodying the character’s unwavering belief in the law. Javert isn\u2019t malicious; he\u2019s simply committed to his view of justice. Laughton\u2019s performance, characterized by his piercing eyes, is mesmerizing.<\/p>\n
Conclusion<\/p>\n
This Les Mis\u00e9rables adaptation is highly regarded and even received four Oscar nominations, including Best Picture and Cinematography. While the actors didn\u2019t receive nominations, their performances are exceptional. Fans of the novel should definitely watch this film.<\/p>\n
Content Note: There are some mild depictions of violence.<\/p>\n
Where to Watch: Available to rent on Amazon and YouTube, or to purchase on DVD. <\/p>\n
Have you seen Les Mis\u00e9rables? Do you have a favorite adaptation?<\/p>\n","protected":false},"excerpt":{"rendered":"
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